The light in Los Angeles is at times brittle and multi-directional, almost crystalline. At other times it is ambient, general and indistinct. A few of the Canson watercolor papers that I work with capture these ephemeral effects perfectly. Otherwise, this series is all about the ubiquitous palm trees and domestic architecture.
Venice Blvd, First Republic Bank Green on Turquoise (Music of the Mind), 2014-120Gold’s Gym, Gray Scale on Ivory (The Things I Lose Just Don’t Add Up to the Things I Gain), 2014-211Venice Blvd, Gray Scale on Sunflower (Don’t Let that Big Idea Go to Waste Now), 2014-502Amoroso Pl, Foundation on Midnight Blue (Just Tell Me That You Love Me), 2015-504Washington & Lincoln, Blue Skies on Sunflower (Playing with Your Telephone), 2014-507Electric Avenue, Gray Scale on Pink (Who Wants to Fuck Around?), 2014-570Linden, Gray Scale on Cream (Seems Just Right By Me), 2014-576Amoroso, Newsprint on Faded Winter Skies (Feeling Brand New), 2015-137Coeur d’Alene Ave, Balsawood on Midnight Blue (Is It Forever?), 2015-164Venice Blvd, Gray Scale on Ivory (You’ll Get Used to the Confusion), 2015-152Malibu, Teal on Buttercup (My Life is Just a Dream I Would Only Dream for You), 2015-215Sherman Oaks, Hawaiian Punch on Canary, (We’re Getting to the Good Part), 2015-272Pacific & Marine, Turf on Azure Skies (Drift to the Center), 2015-287Lincoln & Venice, True Blue on Tangerine (Something Like A Phenomenon), 2015-293Rialto (Phoenix Canariensis), Fire Engine Red on True Blue, 2015-296Beachwood Canyon, Teal on Sunflower (We’ve Been Waiting With Our Best Suits On), 2015-455California Ave, Topaz on Canary (Every Now and Then You Make Me Feel So Extraordinary), 2015-4655325 W 102nd Street (Kennel Club), Strawberry Ice Cream on Electric Blue, 2015-487Amoroso, Midnight on Hush Puppy (I Want to Give You Devotion), 2015-502San Vicente, Drought Tolerant on Robin’s Egg, 2015-517
